WP: Bright Half Life, Antigone Project. Running time: One hour and 30 minutes. There are many amusing moments in Madeleine George’s Hurricane Diane.That's to be expected, given its premise: sending the Greek god Dionysus — here rendered as the butch lesbian Diane … As the premiere launching pad for some of the most influential female theater artists today, our work has had a significant impact on the field at large. Approximately 90 minutes, with no intermission. George’s script states that “Diane may be played by any masculine person who does not identify as male.” And the night I saw the play this was not a concept that flummoxed the audience at all. WP: Sundown, Yellow Moon (with Ars Nova). “Leigh is a chameleon genius of a director, passionately devoted to writers. It’s exciting to see Becca Blackwell, who is so defiant about blurring the boundaries of gender, step into the role of a butch woman with such panache and verve.”. Instead of “souring in the brine of bitterness,” says George, she spent her time “lifting up the work of my friends.”, She’s found a worthy collaborator in acclaimed director Leigh Silverman, too. Some of their collaborations have been with Young Jean Lee, Half Straddle, Jennifer Miller’s Circus Amok, Richard Maxwell, Erin Markey, Sharon Hayes, Theater of the Two Headed Calf and Lisa D’Amour. Recent Off-Broadway includes Mary Page Marlowe, Queens, At Home At the Zoo, After the Blast, Hamlet, Measure for Measure, The Antipodes, and Richard Maxwell’s Paradiso. “We see that in the way people are taking part in national and global demonstrations, in their desperate attempts to make contact with the natural world with things like ‘forest bathing.’ I have real confidence in theater as a deathless art form. So enjoy the spectacle of four women and one gender-nonbinary demigod ruling the roost for this rare occasion. Today, WP accomplishes its mission through several fundamental programs, including: the WP Lab, a two-year mentorship and new play development program for women playwrights, directors, and producers; the Domestic Partner residency program; the Developmental series; and the Mainstage series, which features a full season of Off-Broadway productions written and directed by extraordinary theater artist. WP was founded in 1978 by visionary producer, Julia Miles, to address the significant under-representation of women in theater. George became fascinated with what would happen if she had a charismatic queer woman “show up in a cul-de-sac and slay all the ladies one by one.”, When Blackwell transitioned it added another layer to the character of Diane/Dionysus. This estimator is only for non-equity/amateur productions. She is thrilled to be reunited with Leigh Silverman and Danielle Skraastad after co-creating and acting in the Off-Broadway production of Big Times. Madeleine George tells me that the play was partly inspired after she read The Botany of Desire by Michael Pollan in which she learned that in 1800s America, apple orchards were planted everywhere to make hard cider. Other New York theatre includes: The Wolves (Obie, Drama Desk for Best Ensemble); The Pain and the Itch, She Stoops to Comedy, The World Over (Playwrights); The Coast of Utopia, Domesticated, What Once We Felt, QED (LCT); Spirit Control (MTC); Dying for It (Atlantic); Knickerbocker (Public). And if you’re an LGBT playwright struggling to be heard and seen, consider finding others like yourself and making your own opportunities. This tool is unavailable at the moment. Broadway: The 25th Annual Putnam County Spelling Bee and Legally Blonde. It’s a tonic for our culture to see that the larger human questions can be asked and played out in that environment. Which is why a play like Hurricane Diane is such a rare an important event in New York theater. It’s been around for thousands of years now. NYTW & WP debut! Concord Theatricals Almost all of my plays have some lesbian or queer content,” says the Pulitzer Prize for Drama-nominated George. Madeleine George (Playwright) plays include Hurricane Diane, The (curious case of the) Watson Intelligence (Pulitzer Prize finalist, Outer Critics Circle John Gassner Award), Seven Homeless Mammoths Wander New England (Susan Smith Blackburn finalist), Precious Little and The Zero Hour (Jane Chambers Award, Lambda Literary Award finalist). Music Director: Salty Brine’s Living Record Collection, Folk Wandering, The Elementary Spacetime Show. The New York Times cheered Hurricane Diane as an “astonishing new play,” and New York magazine hailed it as “hilarious and full of keen observation and profound human affection.” Contains strong language. NY credits include A Raisin in the Sun (Broadway); Richard III, Love’s Labour’s Lost (Public); world premiere of A Kid Like Jake (LCT3); As You Like It, The Tempest (BAM/Old Vic Bridge Project); Much Ado About Nothing (TFANA); Measure for Measure (Epic Theatre Ensemble); The Changeling (Red Bull); Uncle Vanya (Pearl); The Sentinels (59e59). NYTW: Othello. Pulitzer Prize finalist Madeleine George pens a hilarious evisceration of the blind eye we all turn to climate change and the bacchanalian catharsis that awaits us, even in our own backyards. Its explorations of gender and sexuality aside, it is very entertaining and satirizes everything from HGTV and its suburban aspirations to “real housewives” as well as tropes of Sapphic seduction. Scripts and rental materials are not included in this estimate. Original Music The Bengsons MFA: NYU Grad Acting. Other NY works include Big Times co-written by Danielle, Maggie Lacey and Mia Barron. WP empowers female-identified artists to reach their full potential and, in doing so, challenges preconceptions about the kinds of plays women write and the stories they tell. "An astonishing new play by Madeleine George that whirls ancient myth, lesbian pulp, ecological thriller and The Real Housewives of Monmouth County into a perfect storm of timely tragicomedy." Just answer a few questions. Stage Manager Melanie J. Lisby Recent Off-Broadway: Harry Clarke (Vineyard Theatre/Audible at the Minetta Lane), Sweet Charity (New Group), On the Exhale (Roundabout), The Outer Space (Public Theater), All the Ways to Say I Love You (MCC), The Way We Get By (Second Stage), Tumacho (Clubbed Thumb), American Hero (Williamstown Theater Festival, Second Stage), No Place to Go (Public Theater), Kung Fu (Signature Theatre), The (curious case of the) Watson Intelligence (Playwrights Horizons), The Madrid (MTC), Golden Child (Signature Theatre), In the Wake (CTG/Berkeley/Public Theater, Obie Award, Lortel nomination), The Call (Playwrights Horizons), Go Back to Where You Are (Playwrights Horizons, Obie Award), From Up Here (MTC, Drama Desk nomination), Yellow Face (CTG/Public Theater), Oedipus at Palm Springs (NYTW). Silverman is an out lesbian director and George sings her praises. “People crave encounter now more than ever,” she says. Residencies: Ars Nova’s Makers Lab, SPACE on Ryder Farm, Rhinebeck Writers Retreat. WP debut. In an all-female world, we run the gamut of human experience, just like men. Danielle has been seen at The Signature in The Moundbuilders and at Playwrights in The Pain and the Itch. TV: “The Chris Gethard Show” (w/ CB). “If you want to know what terrible things women are capable of,” says George, “Ask a lesbian. Pulitzer Prize finalist Madeleine George pens a hilarious evisceration of the blind eye we all turn to climate change and the bacchanalian catharsis that awaits us, even in our own backyards. Good news: God exists, and she’s a “masculine-of-center” “butch charm factory” named Diane. Danielle was last seen on Broadway in All My Sons. In 1999, we purchased Lesbians on the Loose, a Sydney-based magazine, which was first published as an eight-page newsletter in 1989. Pulitzer Prize-finalist Madeleine George pens a hilarious evisceration of the blind eye we all turn to climate change and the bacchanalian catharsis that awaits us, even in our own backyards. NYTW: All the Wrong Reasons, Beckett Shorts, and Forever. (co-writer/director), The Story Pirates Podcast, Chamber Band. NYTW: What the Constitution Means to Me, Hadestown, An Illiad. RUNTIME There is no one way to be this god. Recent credits include Homebody by Tony Kushner at The Ancram Opera House and the World Premieres of The Remains by Ken Urban and Linger by Craig Garcia. In other words, a butch lesbian is a person, too.”, In this instance, George’s main question is quite literally: What is the fate of the planet and what are we doing about it? Member of the Artists Advisory Council with Epic Theater Ensemble and Dorset Theater Festival’s Women Artist Writing Group, where her play The Others is in development. WP debut. She was also founding member of 13P (Thirteen Playwrights), a now-defunct group of (mostly female) mid-career playwrights who took matters into their own hands by producing, over a period of ten years, one play by each member playwright. Film/TV includes: Untitled Noah Baumbach Project, “Shameless,” Deadman’s Barstool, and “Jack in the Box.” Becca is a recipient of the Doris Duke Impact Artist Award and the writer and performer of the solo show They, Themself and Schmerm. There is … Off-Broadway: The Other Josh Cohen (Drama Desk nom), Clever Little Lies, Ordinary Days, Tatjana in Color, and Sarah, Plain and Tall. Its world premiere was at Two River Theater in Red Bank, New Jersey, in 2017. 3:48 PM. Start planning your production with a cost estimate you can save and share with your team. Upcoming: Soft Power by Jeanine Tseori/David Henry Hwang (Ahmanson Theater/Curan Theater); Wild Goose Dreams (La Jolla Playhouse/Public Theater). Nearly every prolific female theater artist has been through our doors, including Eve Ensler, María Irene Fornés, Katori Hall, Pam MacKinnon, Lynn Nottage, Leigh Silverman and Anna Deavere Smith. The Musical. Scenic Design Rachel Hauck Kate is thrilled to reprise her role as Beth in Hurricane Diane after its premiere at Two River in 2017. The point of a collaboration is to create a mind meld. Choreography Raja Feather Kelly In fact, there are no guys. She’s got supernatural abilities owing to her true identity—the Greek god Dionysus—and she's returned to the modern world to gather mortal followers and restore the Earth to its natural state. Important: In 2020, we merged both titles into one leading Brand: Curve Magazine. NYTW: Hundred Days (Lortel, Drama League Noms). Madeleine George’s plays include The Sore Loser, Hurricane Diane (Obie Award), The (curious case of the) Watson Intelligence (Pulitzer Prize finalist; Outer Critics Circle John Gassner Award), Seven Homeless Mammoths Wander New England (Susan Smith Blackburn finalist), Precious Little, and The Zero Hour (Jane Chambers ... You'll have to sign in before you share your experience. Meet Diane, a permaculture gardener dripping with butch charm. NYTW: The House That Will Not Stand. Obie Award for Sustained Excellence in Sound Design. Broadway: Violet by Jeanine Tseori/Brian Crawley (Roundabout; Tony nomination), Chinglish (David Henry Hwang), Well (Lisa Kron). TV: “Luke Cage” (recurring); “Claws;” “Homeland;” “Madam Secretary.” Film: Ovum; Ambition’s Debt; Death of a Prince; Spinning into Butter. George says, “It makes perfect sense; she is exactly the kind of fluid character Dionysus is—they appeared in different forms and guises but always with this mane of curls. She is confident that theatre people these days are “conversant with a spectrum of identity” and will embrace Hurricane Diane (they have; the play’s run has been extended).
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