jive talkin song meaning

Jive talk, Harlem jive or simply Jive (also known as the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip) was an African-American Vernacular English slang that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.. The Isley Brother's song, "Contagious," peaked at #19 on the Billboard Hot 100. The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film. Maurice goes on to describe how Arif gave them "the groove, the tempo, everything." The rhythm was inspired by the chunka-chunka-chunka sound of a car rolling over a bridge crossing Biscayne Bay near Miami. In 1987 this song was covered by the Boogie Box High. And we said 'Well yeah, it's, ya know, you're dancing.' Jive talk synonyms, Jive talk pronunciation, Jive talk translation, English dictionary definition of Jive talk. The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami.[4]. And we went 'Oh, Really?!? In 1987, "Jive Talkin'" was covered by Boogie Box High, a musical project of Andros Georgiou's that featured collaborators such as his cousin George Michael and Haircut One Hundred's Nick Heyward. He goes on to say, "We played it to Arif [producer Arif Mardin], and he went 'Do you know what "Jive Talkin'" means?' [8], Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. The lead singer and pianist for Procol Harum, Gary talks about finding the musical ideas to match the words. He got the idea to change it after taking a trip to Pennsylvania. Boogie Box High was a musical project by Andros Georgiou in the late 1980s, that featured a range of vocal collaborations such as his relative George Michael (of Wham!) The Bee Gee's Sing and Play 14 Barry Gibb Songs, https://beegees.fandom.com/wiki/Jive_Talkin%27?oldid=3275. On Iron Maiden's song "More Tea Vicar", towards the end, Bruce Dickinson sings a bit of the song in a voice imitating The Bee Gees as a joke, then follows it up with "No, no no! Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. Later pressings of the album used the live version of "Jive Talkin' " from the Bee Gees 1977 album, Here at Last... Bee Gees... Live, due to contractual distribution changes. [5] Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. "Jive Talkin' " is a song by the Bee Gees, released as a single in May 1975 by RSO Records. Jive talkin', you're telling me lies...' and changed it." This combination, with Maurice on bass and Barry on rhythm guitar, recorded all the Bee Gees albums of the late '70s and also went on tour with the group. Robin then goes on to mention that, because they were English, they were less self-conscious about going into the "no go areas", referring to musical styles that were more black in styles, etc. The Bee Gees were one of the first white groups to explore that territory. early jazz; Slang. A monthly update on our latest interviews, stories and added songs. Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. They became icons of the era, singing in falsetto harmonies over dance beats. This was an R&B track that did very well in the black charts in America. This was the first big disco hit for The Bee Gees. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. "I really liked the synth bass lines", Maurice said. The group, which had considerable success before the disco era, took a lot of heat in the press. Largely recognised as the group's "comeback" song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971). meaningless talk; to tease, fool, kid: Don’t jive me with your sweet talk. The song's rhythm riff perhaps from "Shirley & Company's "Shame, Shame, Shame", with a prominent use of the Bo Diddley beat. It was the second time in the band's career that this strategy had been employed to get airplay for their music, after a similar tactic had popularised their debut US single New York Mining Disaster 1941 in 1967. And we said 'Well yeah, it's, ya know, you're dancing.' He then said, "We didn't think that there was any 'no go' areas, it's music!". [1], According to Maurice, while hearing this rhythmic sound, "Barry didn't notice that he's going 'Ji-Ji Jive Talkin'Template:', thinking of the dance, 'You dance with your eyes'...that's all he had...exactly 35mph...that's what we got." [9], ^shipments figures based on certification alone. The scratchy guitar intro was done by Barry and the funky bass line provided by Maurice. Then sings "Okay" in a Bee Gees voice. The renown rock singer talks about "The House of the Rising Sun" and "Don't Let Me Be Misunderstood.". Like all Bee Gees song off the Saturday Night Fever, jive Talkin changed our lives in the late 1970's. The cover was their biggest hit in 1987. and Nick Heyward (of Haircut One Hundred). Robin Gibb then goes on to mention that, because they were English, they were less self-conscious about going into the "no-go areas", referring to musical styles that were more black in styles, etc. The song was originally called "Drive Talking" in its early stage. He says 'NO...it's a black expression for bullshitting.' They would often point out that disco became homogenized in the years after they got to it, and that their sound was really an extension of R&B. Maurice goes on to describe how Arif gave them "the groove, the tempo, everything." The CD version restores the use of the studio version. The CD versions of the album use the studio version. "Jive Talkin'" was also influenced by "You're the One" (written by Sly Stone) by Little Sister. The Bee Gees, with wizards like Arif Mardin (who usually worked with Motown greats) gave the world future early techno, as disco. Not surprisingly, he would go on to become the most literate of rockers. This was called "Drive Talking" in its early stages, but producer Arif Mardin suggested the change to "jive" to play to teenage sensibilities. This was a comeback song for the group. Check your score in the Ramones version of Fact or Fiction. A band so baffling, even their names were contrived. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. "Jive Talkin'" is a song by the Bee Gees, which hit number one on the Billboard Hot 100 and reached the top-five on the UK singles chart in the summer of 1975. Contents[show] History The song was originally called "Drive Talking". It was overdubbed by keyboardist Blue Weaver using a then state-of-the-art ARP 2600, which producer Arif Mardin had brought in for the recording of the Main Course album. Barry's guitar strumming has a smoother version of Kool and the Gang's signature chicka-chicka and funky Nassau version of KC and the Sunshine Band's Caribbean strumming. Behind the Track: “Jive Talkin'” The chart-topping “Jive Talkin’” once had a different name. Until December 5, 1998, a song had to be issued as a single to make the Hot 100. This was the lead single from the album Main Course (as well as a song on the 1977 Saturday Night Fever soundtrack) and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. The resulting crossbreed of pop hooks and funky rhythms quickly flew into the top reaches … Largely recognised as the group's "comeback" song, it was their first US top ten hit since "How Can You Mend a Broken Heart" in 1971. This criticism would weigh on them in later years as they felt that accusations of selling out and creating popular schlock were out of line. They had seven more #1 hits in the disco era, but the band went out of style at the same time as white leisure suits. "Jive Talkin ' " is a song by the Bee Gees, released as a single in May 1975 by RSO Records. "Jive Talkin'" is a song by the Bee Gees, which hit number one on the Billboard Hot 100 and reached the top-five on the UK singles chart in the summer of 1975. The DJs would only find out what the song was and who played it when it was placed on the turntable; RSO did provide the song with a label on the record itself. Miguel wrote "Adorn" about his girlfriend, model and artist Nazanin Mandi when he was returning home from a long trip and was anxious to see her. He goes on to say, "We played it to [producer] Arif [Mardin], and he went 'Do you know what "Jive Talkin'" means?' [6], After hearing "Jive Talkin'", Lindsey Buckingham of Fleetwood Mac, and co-producer Richard Dashut built up the song "Second Hand News" (released on the band's Rumours in 1977) with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. In 1975, the funk band Rufus covered "Jive Talkin'" on their album Rufus featuring Chaka Khan. List of number-one singles of 1975 (Canada), "Forum – ARIA Charts: Special Occasion Charts – CHART POSITIONS PRE 1989", The Irish Charts – Search Results – Jive Talking", Dutchcharts.nl – Bee Gees – Jive Talkin'", "CASH BOX Top 100 Singles – Week ending AUGUST 9, 1975", Offiziellecharts.de – Bee Gees – Jive Talkin'", "Forum - ARIA Charts: Special Occasion Charts – Top 100 End of Year AMR Charts – 1970s", "British single certifications – Bee Gees – Jive Talking", "American single certifications – Bee Gees – Jive Talkin_", Recording Industry Association of America, Ultratop.be – Boogie Box High – Jive Talkin'", Dutchcharts.nl – Boogie Box High – Jive Talkin'", Charts.nz – Boogie Box High – Jive Talkin'", The Bee Gees Sing and Play 14 Barry Gibb Songs, A Kick in the Head Is Worth Eight in the Pants, Every Christian Lion Hearted Man Will Show You, https://en.wikipedia.org/w/index.php?title=Jive_Talkin%27&oldid=986901369, Pages using infobox song with unknown parameters, Singlechart usages for Canadaadultcontemporary, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, "Sea of Smiling Faces" / "Please Don't Turn Out the Lights", This page was last edited on 3 November 2020, at 17:31. Take your favorite fandoms with you and never miss a beat. Do you know the girl singer on Eminem's "Stan"? Largely recognised as the group's "comeback" song, it was their first US top ten hit since "How Can You Mend a Broken Heart" in 1971. Armed with a childhood spent devouring books, Mike Scott's heart was stolen by the punk rock scene of 1977. The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami. "I overdubbed certain sections to add bass extra emphasis". The song approximates the synthesised propulsion of Stevie Wonder's "Superstition".[6]. Michael sang lead on "Jive Talkin'," although his vocals were uncredited. [7], "Jive Talkin'" is a stuttering song like the Who's "My Generation", David Bowie's "Changes", Elton John's "Bennie and the Jets" and Bob Seger's "Katmandu". "Ain't No Sunshine" by Bill Withers was inspired by the Jack Lemmon movie Days of Wine and Roses. This was the lead single from the album Main Course (as well as a song on the 1977 Saturday Night Fever soundtrack) and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Robin Gibb explained to. The flautist frontman talks about touring with Led Zeppelin, his contribution to "Hotel California", and how he may have done the first MTV Unplugged. The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film. The renown rock singer talks about `` the groove, the funk band Rufus ``! Stone ) by Little Sister 're the One '' ( written by Sly Stone by! Covered by the chunka-chunka-chunka sound of a car rolling over a bridge crossing Bay. Add bass extra emphasis ''. [ 6 ] the era, singing in falsetto over! Then sings `` Okay '' in its early stage lot of heat in the studio version falsetto harmonies dance... 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